Amanda Mackenzie Stuart worked as a screenwriter and independent film producer for a number of years before publishing her first biography, the critically acclaimed Consuelo and Alva Vanderbilt: The Story of a Daughter and Mother in the Gilded Age. She lives in Oxford, England.
Diana Vreeland: Empress of Fashion (Thames and Hudson)
Diana Vreeland reinvented the way we think about style and where we go to find it. As an editor, curator and wit, she made a lasting mark and remains an icon for generations of fashion lovers.
This book, the first full-length biography, portrays a visionary: a fearless innovator who inspired designers, models, photographers and artists
Born of a British father and American mother in Belle Epoque Paris, Diana Vreeland grew up amid the fashionable of New York’s Upper East Side. With a famously alluring mother and a classically beautiful sister, the young Diana often felt isolated and unloved. But she was saved from her unhappy childhood by her audacious imagination as well as the grit and determination that would shape her extraordinary life.
Described by an admirer as ‘the High Druidess of fashion, the Supreme Pontiff, Perpetual Curate and Archpresbyter of elegance, the Vicaress of Style’, Diana Vreeland is the cloth from which twenty-first-century fashion editors are cut. Talent-spotted by legendary editor Carmel Snow, Diana joined Harper’s Bazaar in 1936, where her pizzazz and singular point of view quickly made her a major creative force in fashion. During her time at Harper’s and later as the editor-in-chief of Vogue, the self-styled ‘Empress of fashion’ launched Twiggy’s career, advised Jackie Kennedy, and enjoyed the full swing of sixties’ London.
In 1971 Diana was fired from Vogue. She reluctantly accepted a new position at the Metropolitan Museum of Art as Special Consultant to the Costume Institute, only to reveal a new dimension to her brilliance. Her first show, on the work of designer Cristobal Balenciaga, drew more than 150,000 people to the museum, and the show that followed smashed all the record books. The Metropolitan was stunned, and today’s blockbuster exhibition was born.